TicketIQ also has an elite seller program, noted with a ribbon icon on the ticket listing, to indicate which sellers are not only reliable but also have a record of speedy order confirmation and on-time delivery. TicketIQ has a rigorous process of screening every seller that lists a ticket on our site, and we work with over 1,000 independent ticket sellers, as well as teams and venues that list on our site directly to reach secondary market buyers. You can track the status of your order directly from the TicketIQ account page. All Washington Wizards ticket sales on TicketIQ are guaranteed and you can read our guarantee here, where we ensure you will receive an authentic and valid ticket, and that you will receive your tickets with ample time ahead of the event. "We're looking for a really great year," Archer said.Are Washington Wizards tickets on TicketIQ guaranteed? Salvatore's own The Lone Drow will be released later this year, as will the third in Elaine Cunningham's trilogy Starlight and Shadows. Schuh and Archer also have high hopes for the third book in the series War of the Spider Queen, which is being edited by Salvatore. "The stories have a romantic aspect to them," she said. Schuh hopes to reach not only a younger audience with the new imprint, but girls as well. The company will introduce its first YA imprint this year, under the Dragonlace Chronicles name it will offer digest editions of Dragonlace titles. Wizards is working to broaden its audience, which is predominantly males between the ages of 15 and 35. "We're trying to migrate game players into book readers," Schuh said. The increase attention to hobby shops is part of an overall effort to coordinate the release of books and games. Wizards will up its title output to 61 and will also increase its marketing efforts, particularly to small hobby shops and independent bookstores. The publisher has tested the e-book market and other forms of electronic delivery, but will wait until demand increases before developing an ongoing program.Īrcher said he is optimistic about prospects for 2003. "Our audience is used to looking for our titles in hardcover and mass market," said Archer, adding that many customers buy both cloth and paper editions of their favorite titles. The trade paper format is limited mainly to omnibus collections of different series. Most of its books are done in either hardcover or mass market paperback. ![]() Wizards released 59 titles last year and has a backlist of 274 titles. Its major tie-ins to games include Dungeons and Dragons, Forgotten Realms and Dragonlance, but, Schuh notes, "There is a misconception that if you don't play the games, you won't understand the book. The company depends heavily on series publishing-both the Salvatore and Weis/Hickman books were part of different series-as well as novelizations of role-playing games. Salvatore's The Thousand Orcs, which now has 100,000 copies in print, and Dragons of a Vanished Moon by Margaret Weis and Tracy Hickman, which has close to 90,000 copies in print. The company had two titles hit the New York Times bestsellers in the year, R.A. ![]() "We reaped the fruits of Holtzbrinck's sales effort last year," Schuh said, adding that Wizards also did a better job of coordinating its publicity and marketing efforts in 2002. Wizards moved its distribution to Holtzbrinck in fall of 2000, and after a dip in sales in 2001 as the Holtzbrinck sales force familiarized themselves with the line, sales bounced back in 2002. Liz Schuh, director of marketing for books, gave a great deal of the credit for the improved performance to Wizards' distributor, the Holtzbrinck Group. But Wizards' success in 2002 wasn't just linked to the Potter carryover effect.
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